Everything You Need to Know About Kim Dotcom’s Mega

Click here to view the gallery: Hands On With Mega

Mega — the long-anticipated file sharing and cloud storage site from Kim Dotcom — is now open to the public.

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Thanks to its association with the now-defunct Megaupload — and the legal issues facing its founder Kim Dotcom — the amount of press, user interest and hype surrounding Mega is greater than any file hosting/cloud storage launch in recent memory.

According to Dotcom, more than 1 million users signed up for Mega in the first 24 hours. On Twitter, the larger-than-life entrepreneur has continued to share usage stats and traffic graphs that compare Mega with perennial cloud favorite, Dropbox.

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If you’re curious about the inner workings of Mega, how it works and how it handles security, we’ve got you covered.

The Phoenix of Megaupload

Mega is the spiritual successor to Kim Dotcom’s last business, the insanely popular file-hosting service Megaupload. Last year, the U.S. Department of Justice shut down Megaupload and pursued criminal charges against Dotcom. Dotcom, a New Zealand citizen, is actively fighting U.S. extradition orders.

Megaupload was targeted by the DoJ because of its role in illegally distributing copyright material — including digital copies of movies, TV shows, books, music and software.

Rather than try to start a new service eschewing the potential for copyright material to be uploaded and shared, Dotcom is positioning Mega as a service that cares about and protects its user’s privacy. In fact, Mega’s tagline is “the privacy company.”

How It Works

On the surface, Mega is a bare-bones cloud storage host. After signing up for accounts, users can upload files and folders of all types to the service. Those files can then be shared with others.

The free plan gives users 50GB of file storage. There are no hard limits on file size, meaning users can use Mega as a way to back up photos, documents and other data. Obviously, this means users can use Mega as a way to store media content — video files, music, DVD images — as well.

For now, Mega is optimized to work on desktop web browsers. Mega strongly encourages users to use Google Chrome. And while Mega has big plans for developers and client-side apps, for now, the only way to access files is via the web browser.

Files can be uploaded to the service using drag and drop or a file-upload menu. Users can create folders in the file manager.

Uploads and downloads take place in parallel. If you upload a large number of files at once, each file uploads one at a time. In the future, Mega says users will be able to change the upload order. If you need to upload or download multiple files at once, simply open a new Mega tab in your browser and select that file.

You can upgrade to a higher-tiered storage plan from within your account. Mega doesn’t sell these plans itself; instead it has resellers who sell vouchers for a service. A 500GB storage plan with 1TB of enhanced bandwidth is 9.99 euros a month or 99 euros a year (a little over $ 110 U.S. dollars). That’s cheaper than most of its competitors.

The Importance of Passwords

It’s very important to remember the password you select when setting up your Mega account. The password is a big part of how Mega encrypts data on both ends.

During the sign-up process, Mega uses your password to create a 2,048-bit RSA key. This is the key that tells the system you are who you say you are. If you forget your password, you’re not going to be able to get into your account.

Right now, Mega doesn’t even have a password reset or recovery feature. In the future, Mega says it will have a reset mechanism but it will only allow users access to files or folders they have file keys for (more on file keys below). Users won’t be able to access other files until or unless they remember their password.

Because your Mega password is also your master encryption key, it’s important that users choose a secure password. We recommend using a password manager and printing a copy of the password to store in a safe place.

Understanding File Security

Mega is focused on end-to-end encryption. This means that files are encrypted both on upload and on download. With most traditional file hosts or cloud storage lockers, a public link to a file also includes a file path. With Dropbox, for example, the public or shared link includes the file name.

With Mega, things are a bit different. While users can share specific files to other Mega users or via email, the URL to a file doesn’t contain a file name; instead, a cryptographic key is appended to the URL. Without this key, you can’t access the file. Once decrypted by the server, a user has the option to download the linked file.

Mega’s promise, in other words, is that users control who has access to their files and accounts and no one else.

For important files or folders, users might want to make a note of the file key and keep it in a safe place — if they are worried about getting locked out of their account.

How Safe Are Your Files

Since Mega is touting itself as “the privacy company,” it’s important to look at how the company stores files and content.

The end-to-end encryption scheme is only part of how Mega secures data. Still, some are already criticizing the service, noting that it’s not as secure as it says it is. An article for Forbes cites two professionals who have problems with Mega’s security.

Matthew Green, a cryptography professor at John Hopkins University, is particularly critical of the way Mega uses JavaScript to verify its encryption method telling Forbes that “it makes no sense.”

Mega has responded to Green’s claims on its own blog, noting that its scheme “basically enables us to host the extremely integrity-sensitive static content on a large number of geographically diverse servers without worrying about security.”

Meanwhile, at Ars Technia Lee Hutchinson raises concerns about how Mega comes up with its crypto key at sign-up, as well as how the company handles deduplication, or how it eliminates duplicate copies of data.

Again, Mega has taken to its blog to attempt to clarify its policies and the way it handles data.

While Mega’s crypto system certainly doesn’t seem any less secure than any other file locker, we do agree with critics who note that the system might be more about giving Mega culpability against claims that it knows infringing content is on its servers, rather than about protecting that data itself.

The service is still in beta and much of its code is available via open source, so security purists might want to watch how Mega’s system evolves before trusting it with important, sensitive data.

Will Mega Stick Around?

While security experts can quibble and argue over the way Mega uses cryptography and how it stores data on its array of servers, the bigger issue, for us, is long-term survival.

While I would argue that most users who actively used Megaupload were not using it as a traditional cloud service, the fact remains that when the service was shut down, user files went with it.

Already anti-piracy groups are campaigning to shut down payment processors to Mega’s resellers. One of the reasons Mega isn’t taking payments itself and is instead using resellers is to prevent those groups from shutting down payment processors or trying to seize funds.

This is worrisome because in addition to outside capital, Mega needs professional accounts to keep its site working.

It’s too early to say if Mega will be around for the long haul or not, but our advice is not to use Mega as your only file storage solution. Keep backups of crucial files on disk or other cloud-based services.

What do you think of Mega? Let us know in the comments.

This story originally published on Mashable here.

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Veteran showman Dick Van Dyke reflects on lifetime’s work

(Reuters) – From “Mary Poppins” to “Night at the Museum” and his own long-running TV comedy, Dick Van Dyke has done it all during a show business career spanning seven decades.

On Sunday, Van Dyke, 87, gets a lifetime achievement award from the Screen Actors Guild in Los Angeles, just a year after his 1960s “Dick Van Dyke Show” co-star Mary Tyler Moore received the same honor.

Reuters spoke to Van Dyke about his career, his thoughts on today’s comedies and being a newlywed in his 80s.

Q: Was it really as much fun working on “The Dick Van Dyke Show” as it seemed?

A: “It was just absolutely wonderful. (Co-star) Morey Amsterdam used to say it was like going to a party every morning. It was the perfect improv group. I think it was the best five years of all of our lives.”

Q: Do you have a favorite episode?

A: “‘Coast-to-Coast Big Mouth,’ where Mary gives away that Alan Brady, Dick’s boss (played by show creator Carl Reiner) is bald, is one that comes to mind. I tend to like the ones that I had the most fun on, and I think the one I recall immediately is ‘Where Did I Come From?,’ the story of Richie’s birth, and all the hijinks that happen with the nervous father. A lot of crazy things happened, a lot of slapstick, which, of course, I love to do. It was a farce, but I just had so much fun on that one.”

Q: How have sitcoms changed since “The Dick Van Dyke Show’s” run from 1961-66?

A: “I think the big change is that 10 minutes of every 30 are commercials. We had 28 minutes to tell our story. Today they get 20 minutes. It’s just a one-line joke and a canned laughter, and a one-line joke and a canned laughter. I won’t say it’s bad, it’s just that I have trouble understanding it.

“It seems to me that relationships are what’s missing. I think back to ‘All in the Family,’ when you knew what those relationships were and the comedy that came out of that. Today it’s just one line after another, and they seem to try to cover too much in the way of story in a short time. Then I think they signal when they’re trying to be funny, and the minute I catch someone trying to be funny, then I won’t laugh.”

Q: What do you watch on television?

A: “I have to admit, I don’t get the comedies today. Maybe it’s just my vintage. Actually I stick pretty much with the news, and I love ‘Jeopardy!’ I watch Al Jazeera. They have news that you can’t find anywhere else. They do great documentaries, too.”

Q: Do children tend to recognize you from your earlier roles in film classics such as “Mary Poppins” (1964), or for your more recent work in the 2006 family film “Night at the Museum“?

A: “It’s just thrilling. I get little kids who recognize me from ‘Mary Poppins,’ and it just delights me because it’s our third generation. I was in the market the other day and a woman said to her daughter, ‘Honey, that’s the man who played Bert.’ And she ran over to her little brother and said, ‘I just met Bert’s grandpa!’ So to be recognized by kids is just wonderful. Kids have all seen ‘Mary Poppins,’ almost every family has a copy of it, and the children have come up and sung all the words from the songs of ‘Mary Poppins‘ for me. It’s amazing.”

Q: You’re a member of the barbershop quartet, Dick Van Dyke and the Vantastix. Where do you perform?

A: “We sing mostly at fundraisers and benefits. We also sing the opening theme song from “The Dick Van Dyke Show.” Morey Amsterdam wrote the lyrics, but I don’t think they’ve ever been published. I sing with guys half my age in the group, so they keep me young. A couple years ago we sang at Ford’s Theater for the president, so that was a big thrill for us.”

Q: You married makeup artist Arlene Silver last February. You two met at the SAG awards seven years ago. How’s married life treating you?

A: “Absolutely wonderful! She sings and dances, so there is a lot of that going on around our house. She’s a joy and she just lights up my life!”

(Reporting by Jill Jacobs in New York; Editing by Eric Kelsey and Eric Beech)

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Wrigley rooftops offer Cubs billboard revenue

Rooftop owners around Wrigley Field have come up with an idea they hope will get things moving on the ball park's renovation. ( Source: WGN - Chicago)

The rooftop clubs outside Wrigley Field unveiled a plan Friday to put digital signs on their buildings and give the revenue to the Chicago Cubs.

Representatives of the clubs said it is a better alternative to the team's plan to put up signs in the outfield that could potentially block the views from the rooftops and hurt their businesses.

"We believe this is common sense plan is a win-win for the community, rooftops, City Hall and the Cubs," said Beth Murphy, owner of Murphy's Rooftop.

The rooftop owners said they expect their businesses to contribute more than $185 million to the local economy in the next 20 years, $70 million of which would be earmarked for the Cubs. A sign detailing their estimates ended with the words, "Destroying one business to benefit another is not the answer."

Dennis Culloton, a spokesman for the Ricketts family, said that the rooftop owners should discuss their plan with the team "instead of holding press conferences."

A representative of the team, Cubs marketing specialist Kevin Saghy, tried to attend the press conference but was asked to leave the room during the video presentation of the rooftop plan. Saghy brought a tape recorder but did not wear any credentials to indicate he was a Cubs representative.

"A deadline is fast approaching for the team and the city of Chicago to move forward," Culloton said.

Culloton also said the team would bring in more money from advertising atop the back wall of the bleachers than ads on the rooftop buildings.

"Inside the ballpark is going to be infinitely more valuable than advertising outside the ballpark," Culloton said.

Culloton also reiterated the call of Cubs Chairman Tom Ricketts for the city to free up the team to run the ballpark without a slew of restrictions.

"The Ricketts family and the Chicago Cubs want the right to run their business so they can continue to be good stewards of Wrigley Field and in doing so save the beloved ballpark for future generations," he said.

Ryan McLaughlin, a spokesman for the rooftop owners, said Cubs representatives were familiar with the general outline of the plan before today's press conference. Murphy presented it a community meeting Wednesday with Ald. Thomas Tunney, 44th, neighborhood groups and Cubs representatives present, he said.

Tunney suggested Friday the rooftop plan could be a part of the overall effort to rehab Wrigley.

"The advertising proposal from the rooftops can be part of the larger picture for preserving Wrigley," Tunney said in a prepared statement.

"I remain committed to working with the Cubs and small businesses in the neighborhood.  Most importantly, we will continue to engage our residents in discussions concerning Wrigley Field and their quality of life."

asachdev@tribune.com

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Girl: 'My sister's on fire'

3 children were injured, 1 critically after a fire started inside their apartment. (WGN - Chicago)

By Carlos Sadovi and Rosemary Regina Sobol




Tribune reporters

2:20 p.m. CST, January 24, 2013

Hearing screams in the hallway, Vanessa King stepped out of her apartment to see her neighbor rushing down the stairs while cradling a little girl crying from burns over half her body.

"He put a blanket around her. He was holding her. He was telling her it was going to be OK," King said.

The neighbor, Clyde Harden, carried the 4-year-old girl into an ambulance that took her to Comer Children's Hospital, where she remained in critical condition today.

The girl was with her 9-year-old brother and 16-year-old sister when her bunk bed caught fire around 7:15 p.m. Wednesday in a four-flat in the 1000 block of West 76th Street, officials said.

The 16-year-old was in a back bedroom doing her homework when the boy ran to her room, neighbors said. "He ran back there to tell her [their sister] was on fire," said Sandra Gray, who lives downstairs. "She came downstairs and was knocking on everyone's door. She was screaming, 'My sister's on fire.' "

Gray said she and her husband and a neighbor ran up and saw the bottom bunk bed on fire. "All I saw was that the bed was on fire and the baby was burned," Gray said. "You could see the bed on fire."

She said the 16-year-old tried to pull the little girl from the bed and burned her hands. Gray's husband and the neighbor finally put the fire out as firefighters and paramedics arrived, she said. Gray said the girl was conscious but badly burned.

Harden, who rushed up with Gray, said he grabbed hold of the girl and helped put out the fire. “I believe that she was sheltered by God already,” he told reporters on the scene. “Somebody was there for her.”

Though an official cause has not been determined, authorities are looking into the possibility that someone inside the home had been playing with a lighter or matches, according to Fire Department spokesman Larry Langford.

King said she was struggling with how to talk to her 5-year-old daughter about her friend’s injury, saying her girl had nightmares through the night.

King said her daughter told her that "my friend needs to get her skin back. The doctor is going to take care and God is going to take care of her."

csadovi@tribune.com

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Women in Combat Stoke Twitter Debate

The Pentagon’s decision to allow women in combat has elicited some strong and controversial words from opponents of the move.

First, Tucker Carlson. Last night, the Daily Caller publisher tweeted: “Feminism’s latest victory: the right to get your limbs blown off in war. Congratulations.”

This drew some swift criticism on Twitter, and a counterpoint from The Week’s Marc Ambinder, who noted that one woman who lost limbs in combat, Tammy Duckworth, is now serving as a Democrat in the House of Representatives.

Then, Politico reported that Allen West, the former GOP congressman and Army lieutenant colonel, tweeted this morning: “Women in combat billets? Another misconceived lib vision of fairness and equality.”

West is already getting trashed on Twitter by users who took offense. After the controversial remarks made by Newt Gingrich in the mid-1990s and Rick Santorum last year, it’s no surprise that the Pentagon’s decision is stirring debate.

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Beyonce lets others do talking on lip-synch drama

LOS ANGELES (Reuters) – Beyonce‘s lips remained sealed on Wednesday over her headline-making rendition of the U.S. national anthem at President Barack Obama‘s inauguration, leaving others to do the talking over whether she lip-synched to a pre-recorded track.

Celebrity magazine Us Weekly quoted a source saying the Grammy-winning artist was disappointed by the controversy she stirred by singing “The Star-Spangled Banner” at Monday’s solemn ceremony using a backing track – and drew a comparison to late Italian opera singer Luciano Pavarotti.

As some of America’s singing stars offered sympathy and understanding, an inaugural official, who declined to be identified, told CNN that Beyonce “did not sing live.”

“Because she didn’t have time to rehearse with the U.S. Marine Band, she decided to use her recording with the Marine Band,” the official told CNN on Wednesday.

The U.S. Marine band said in a statement on Tuesday that no one in the band “is in a position to assess whether it was live or pre-recorded.”

Us Weekly meanwhile quoted a different, also unidentified source, as saying “She did sing, but used a track.”

“She didn’t think there was anything wrong with it,” the source told the celebrity magazine‘s website on Wednesday.

“Pavarotti has done it! It was freezing out, and if she messed up just one note, that would have been the story … Everybody uses these tracks, and the music director advised it,” the Us Weekly source added.

Pavarotti lip-synched his last performance, at the 2006 Winter Olympics in Turin, because of the bitter weather and his failing health, according to orchestra conductor Leone Magiera in a 2008 book. The Italian tenor died in 2007 of pancreatic cancer at age 71.

Beyonce‘s publicist has declined to comment on the furor, but Aretha Franklin and Jennifer Lopez chimed in with their support.

“When I heard the news … that she was pre-recorded I really laughed,” Franklin, 70, who sang live at Obama‘s first inauguration in 2009, told ABC News.

“I thought it was funny because the weather down there was about 46 or 44 degrees and for most singers that is just not good singing weather … she did a beautiful job with the pre-record … next time I’ll probably do the same.”

Lopez told Jon Stewart on “The Daily Show” on Tuesday that many performers resort to using pre-recorded tracks.

“You know, sometimes it happens,” Lopez said. “When you’re in certain stadiums and in certain venues, they do pre-record things because you’re going to have that terrible slapback.”

Beyonce, 31, was giving her first major public performance since giving birth to a baby in January 2012. On Sunday, she had posted on Instagram photo of herself in a recording studio holding the sheet music for “The Star-Spangled Banner.”

She is due to take the spotlight again next month by performing, live, at the February 3 Super Bowl halftime show.

(Reporting by Jill Serjeant; Editing by Lisa Shumaker)

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United to cut 600 front-office jobs

United Continental Holdings Inc. will cut about 600 front-office jobs through voluntary and involuntary cuts, the company said Thursday as it announced disappointing financial losses for 2012.

The world's largest airline did not detail where cutbacks will take place, but Chicago is likely to be most affected considering the corporate headquarters and network operations center are in downtown Chicago and that Chicago O'Hare airport is one of the airline's largest hubs.

The job cuts were announced Thursday morning during a conference call about the airline's profits. United officials said they were disappointed in the airline company's 2012 performance and pledged to improve in 2013, both in financial performance and the airline's operational reliability.

They said they intend to win back corporate customers who defected to other airlines last year when the airline experienced periods of poor on-time performance and high cancellations rates. The operational problems, which have abated since the fall, stemmed from numerous computer-related glitches after the airline merged United and Continental customer reservation systems onto a common platform last March.

United CEO Jeff Smisek called 2012 "the toughest year of our merger integration," but that the airline was "back on track."

"Despite our integration pains, we accomplished an enormous amount and we are now in a position to go forward as a single carrier and compete effectively on a global scale," he said. "Our operations are running smoothly. Our many product improvements are rolling out and our customer satisfaction scores are climbing."

Smisek also said the airline maintains its confidence in the Boeing 787 Dreamliner, which was grounded in the U.S. and elsewhere after numerous glitches, including a serious fire hazard with its lithium ion batteries.

He said he had confidence in the airplane and "Boeing's ability to fix the issues just as they have done on every other new aircraft model they've produced."

Smisek said he has no indication on when the Federal Aviation Administration will allow the planes to fly again, including Dreamliner on a route between Chicago and Houston. Boeing is also based in Chicago.

United, the only U.S. carrier currently operating 787 planes, has six Dreamliners. Smisek said the company expects to take delivery of two additional 787s in the second half of this year.

EARNINGS

United Continental said it lost $723 million in 2012, or $2.18 per share. Excluding special charges of $1.3 billion, mostly related to merging United and Continental, the company earned $589 million, or $1.59 per share, meeting Wall Street analyst expectations.

In the fourth quarter, United lost $620 million, or $1.87 per share, compared with a loss of $138 million, or 42 cents per share, in the same quarter a year earlier.

It took charges of $430 million in the quarter, with much of that tied to paying off pension debt and costs for systems integration and training and severance. Excluding items, United said the 2012 quarterly loss was 58 cents a share, compared with a 61 cent loss expected by analysts on average, according to Thomson Reuters I/B/E/S.

Revenue fell 2.5 percent to $8.7 billion.

Superstorm Sandy, which barreled through the U.S. Northeast in late October, reduced revenue by about $140 million and profit by about $85 million in the fourth quarter. The storm caused shutdowns at major New York area airports, including New Jersey's Newark Liberty International where United operates a major hub.

CUSTOMER SERVICE

Customer service will be a larger focus for the airline, Smisek said during the conference call.

That focus includes a comprehensive customer service training program for airport agents, contact center agents and flight attendants, he said. It will also roll out a program called "It's Our Job," a companywide approach to customer service "that clearly explains our customer service standards and expectation for front line coworkers," Smisek said.

It will also include an expanded recognition program to reward employees for outstanding service, collecting more customer-satisfaction data and roll out of a new set of tools for airport agents, he said.

JOB CUTS

As far as the job cuts, they will not affect unionized workers, such as pilots, flight attendants and airport ground workers, a spokeswoman said. The airline in December reduced the officer ranks by several positions, representing 7 percent of managers with titles of vice president and higher. It will reduce management and administrative staff by 6 percent through voluntary and involuntary cuts and not filling empty positions.

Those cuts will begin in early February, Smisek said in a letter to employees Thursday morning.

gkarp@tribune.com

 

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2 men died in high-rise fire after rescuing elderly woman: officials

A high-rise fire on Chicago's south side killed two men and seriously injured a woman.

The two men who died in a South Shore high-rise fire had rescued an elderly woman on the seventh floor and had returned to the burning apartment with fire extinguishers when they apparently were overcome by smoke, officials said today.

Jameel Johnson, 36, and John Fasula, 50, were working in the 16-story building in the 6700 block of South Shore Drive Tuesday morning when the fire broke out on the seventh floor, officials said.

The two heard an 81-year-old woman screaming for help and placed her inside an elevator and pressed a button to take her to the first floor, according to police and David A. Fields Jr., Johnson’s cousin.

Fasula and Johnson returned to her apartment with fire extinguishers, police said. They were later found by firefighters, collapsed on the floor and were in full cardiac arrest, according to police and fire officials.

The woman collapsed on the floor of the lobby after the elevator doors opened, but was revived by paramedics and taken to the University of Chicago Hospitals, where she was listed in critical condition from smoke inhalation, according to police.

“He died a hero,” Fields said in a telephone interview. “They died saving a woman’s life.”

Johnson, the father of two girls, was working as a private contractor for a cable company, his family said. He did not like being inside high-rise buildings, but the company could not find a replacement, relatives said.

“He went with the understanding that maybe it was just a service call and he could be in and out,” Fields said. “He didn’t want to be in the high-rise building, that was his whole thing. He didn’t want to be there.”

Relatives described Johnson, an Englewood native, as a fun-loving man who did whatever he could to take care of his fiance and two children, ages 14 and 3. Johnson had ventured into different careers over the years, but returned to the cable business about a year ago.

“He was a good father who was just trying to make sure his kids had the best,” Fields said.

He had been with his fiance for 15 years and the family lives in Gary, Ind., Fields said. His youngest daughter still doesn’t understand what happened, relatives said.

“She’s still looking for her father to come home,” said Johnson’s aunt, Rosemary Cohns. “That’s the hardest part.”

Relatives of Fasula said they were not surprised to hear he risked his life for someone else.

“That’s how my brother-in-law was,” said Michelle Kozicki, 65, Fasula’s sister-in-law. “There’s never going to be another one like my brother-in-law Johnny. There’s not a bad bone in his body.”

Fasula was a maintenance manager for the CTA, spokeswoman Lambrini Lukidis said. He started working for the transit agency in 1983.

Fasula’s family knew he was at the apartment building for a “side job,” though she wasn’t sure what the work entailed. Kozicki said it was common for Fasula, who had been married for nearly 40 years, to work jobs outside his day job at the CTA.
 
“He didn’t like to sit still,” she said.

He went out of his way to help his father before he died in 2009. He was with him “every step of the way,” Kozicki said. For example, Fasula took time off of work to drive his father to doctor’s appointments.

Cook County Commissioner John Daley, who knew Fasula through his father, called him an "outstanding young man" whose death is a "tremendous loss."

"If you were in trouble, John was always there," Daley said.

Fire officials have said the fire apparently started in a bedroom on the seventh floor. Fire Department spokesman Larry Langford said the cause is undetermined pending further analysis of electrical information.  It does not appear suspicious, he added.

“In short, it generally means we have to have some items looked at,” Langford said of the analysis.

chicagobreaking@tribune.com

Twitter:@ChicagoBreaking

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Why the Future of TV Still Isn’t Here Yet

As content providers continue to intimidate tech companies with a seemingly endless couch-potato conundrum, the latest innovation in the war to win your living room isn’t some new gadget from Apple or Netflix, or even that exciting à la carte content delivery system from Intel — it’s a protocol that helps our screens better communicate with one another. YouTube and Netflix have teamed up to create something called DIAL, a competitor of sorts to Apple’s AirPlay, which, as GigaOm’s Janko Roettgers describes it, ”helps developers of second-screen apps to discover and launch applications on smart TVs and connected devices.” Basically, it turns your phone into a kind of wireless super-remote for your TV, as Roettgers explains: 

With DIAL, the Netflix app on your phone will automatically discover that there is a device with a Netflix app connected to your TV. It will fire up that app, and then the two apps are free to do whatever they want — which presumably involves some healthy binge-viewing.

This solves a “big problem” because it makes using those apps on your smart television a lot easier.  As of right now, controlling the Netflix app on a PlayStation still requires the console remote to open up the app on your television before controlling it from a phone or tablet. This eliminates a step — and that, ladies and gents, is the biggest thing actually happening in TV tech right now. Instead of letting us pay just for the content we want, the cable industry’s aging model is still forcing tech companies to help us sift through all the extras were forced to buy. Because with the big media companies refusing to budge on innovative content deals so far this year, “content discovery” tools like GIAL and AirPlay remain one of the only ways everyone can get along. 

RELATED: Netflix Is Winning the Internet

It wasn’t supposed to be this way, of course. Many expected hardware like a supped-up Apple TV or the Roku streaming stick to “fix” television — instead of some protocol that makes finding stuff on our TVs easier. But, as Netflix discovered when it tried to get in the hardware business, the total package can alienate the other key players. Back in 2007, the streaming company had a set-top box in the works that would transform Netflix into a cable competitor, reports Fast Company’s Austin Carr. But CEO Reid Hastings scrapped the idea because it was too competitive. “We could not be competing against Sony, LG, and Samsung,” says Steve Swasey, then the company’s VP of communications. On top of the potential loss of support from hardware makers, this separate Netflix box scared away the content owners, with which Netflix has worked so hard to get streaming TV deals. 

RELATED: The Future of Streaming Video Looks Like TV Reruns

The old-school media industry’s fear of tech-world competition has driven the future of television in a spiraling direction. When one of the too-many entities gets offended, the future falls apart, as we saw with Google TV in an experiment that ultimately scared off content providers as well. A protocol like DIAL is the politically correct solution: It doesn’t change how we pay for content — but it sure does work within the comfortable way we’re used to sitting down and watching TV!

Gadgets News Headlines – Yahoo! News

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Shia LaBeouf’s “Charlie Countryman” finds love in gritty Romania

Park City, Utah (Reuters) – Shia LaBeouf and Evan Rachel Wood spin a twist on classic fairytales in their new film “The Necessary Death of Charlie Countryman,” a modern day love story that swaps castles in the sky for the underbelly of Romania’s capital, Bucharest.

The film, which premiered at Sundance Film Festival this week, is a dark story of love unfolding between two unlikely people against the backdrop of a violent and crime-filled eastern European city.

Charlie (LaBeouf), an American, finds himself on a journey of self-discovery that takes him to Bucharest, where he meets the mysterious and captivating Gabi (Evan Rachel Wood), and puts his life on the line for love.

“Love is always the easiest answer, but somehow it’s the hardest place to get for some people. I love the contrast of this world, which is filled with violence and hatred and crime, and above all there’s love,” Wood said.

Director Fredrick Bond picked Bucharest because he was looking for a place that has not been captured in film prominently, and would compliment the complex nature of Charlie and Gabi’s story.

“Charlie has to go through quite a tough journey and a very romantic journey, so I needed a city that had an edge,” he said.

Wood, 25, said the connection that Charlie and Gabi feel the moment they meet resonated with her because that is what she felt for her husband, actor Jamie Bell, when they first met at Sundance and started dating in 2005.

“It’s almost this karmic connection, this kindred spirit, this soulmate of some sort, where he looks at her and he immediately falls in love. He’s never said a word to her – that really happens. That’s how I met my husband,” Wood said.

“We fell in love immediately, because it was almost meant to be, it was fate.”

FINDING TRUTH IN LOVE

“Charlie Countryman” is the feature film debut from Swedish director Bond, an award-winning creator of commercials. Bond said he was eager to work with LaBeouf and Wood, calling them the “most talented young actors of their generation.”

“They have such a sense of truthfulness,” Bond said. “It’s a wild, crazy journey, I needed actors who could ground their performances … Evan and Shia are about truth.”

LaBeouf, a former child star who became a box office staple as the lead in the “Transformers” franchise, has been taking on grittier roles more recently, such as a bootlegger in gangster drama “Lawless.”

The 26-year-old actor said he had been drawn to the role of Charlie when he read the script three years ago.

“It spoke honestly to me, it was really original. It had a Zsa Zsa Gabor narrative and it just read like ‘The Graduate’ with a bloody nose,” he said.

Wood, who shot to fame as the troubled young lead of teen drama “Thirteen” in 2003, said she had wanted to work with LaBeouf for a long time.

For the role of Gabi, a complex Romanian cellist who has a penchant for bad boys, Wood had to perfect a Romanian accent without the help of a dialect coach, turning to her surroundings in Bucharest to draw inspirations.

“It’s very stressful because you want to do it justice, and I wanted it to be spot-on because a lot of times, it can be very distracting. You can overdo the accent,” the actress said.

The film co-stars Mads Mikkelsen and Til Schweiger as Romanian mobsters, with British actors Rupert Grint, best known as Ron Weasley in the “Harry Potter” movies, and James Buckley as Charlie’s errant friends.

Bond said the biggest filming challenges were the action-packed fight scenes, especially because LaBeouf did his own stunts.

“Shia wants to do everything for real, so he takes hits for real … which is fantastic, because it gives a reality to it, but you also have only so many takes, you have to be really well prepared to do it,” Bond said.

“Charlie Countryman” may defy the archetype of a traditional love story with its fierce characters in a harsh yet beautiful setting, but LaBeouf and Wood said they hoped audiences would take away messages of honesty in love from the film.

(Reporting By Piya Sinha-Roy; Editing by Patricia Reaney and Mohammad Zargham)

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